September 1, 1939
It was a Friday.
by W. H. Auden
Anglo-American poet
(1907-1973)
I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.
Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.
Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.
Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
Imperialism's face
And the international wrong.
Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.
The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.
From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
"I will be true to the wife,
I'll concentrate more on my work,"
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the deaf,
Who can speak for the dumb?
All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or (and) die.
Defenceless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.
Have you ever read that poem before?
I hadnt, although I'm vaguely familiar with the italicized phrase. So, these verses will jump-start today's lessons for a life-long learner.
What's memorable about September 1st for you?
I hadn't read that before. The only thing I remember reading by him is "The Unknown Citizen."
ReplyDeleteI'm sorry about your friends. The oldest son of a family that my family was very close to died when his own plane crashed. I think I was in high school then. He was a lot older than me, so I didn't know him very well, but he was my favorite math substitute teacher in junior high -- I always wished he'd teach full-time because I only understood algebra when he was teaching it.
I can't comment on your Xanga site, but of course this time of year always reminds me of the WTC: "The unmentionable odor of death offends the September night."
ReplyDelete"Not universal love, but to be loved alone." Wow. If I read this right, it's like the wish of every child to be loved *more* than his siblings. Still, God loves us not for what we add to a crowd, but for what he created us to be. Or like your blog line says: "Each person has some talent which is unfulfilled in some 'hidden area' of his being." I just need to work more on appreciating the hidden art in *others.*
Boy, am I going off on a tangent, reading all kinds of thing into this poem. I think I need an explication!
This is my introduction to Auden, having never read any of his works before now. The fiction writer I'm currently reading refers often to him.
ReplyDeleteI'm still searching for a scene with a *52nd St dive* to use as a illustration :)